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FUTURE SHOWS IN PICTURES 
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MEMPHIS 
 
 
 
 
 
 
 
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ACCOLADE - "A revelation" (The Financial Times) 
"Suspense filled, utterly authentic. It’s riveting viewing" (Variety) 
'A stunning rediscovery. Firmly and favourably, between Rattigan and David Hare' (Whatsonstage.com)
theatreguys.co.uk presents:
 
  
  
Fredo's 
Theatre 
Group
Website Updated 21/10/2014
  
This is a not-for-profit UK theatre-going group for our friends and colleagues and their own extended group of friends. It costs nothing to join us but must be by personal introduction from another member of the group. We provide tickets (and coach transport from Southend, if required) for London theatres.  
We do not sell tickets to the public
Welcome to our Theatre Group website - we hope you will find all the information you need.  
Organisers: Fredo & Mike - E-mail: fredo@theatreguys.co.uk or fredoandmike@theatreguys.co.uk 
  
On this page -  click heading to jump to section or scroll down page
 
>Latest Offers: It's time to make a booking -  
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Accolade + City of Angels
Details of all Available Bookings are shown on the Current Bookings page - 
click HERE or on the individual ads above.  Extra Discounts for our Donmar Friends
>Next Theatre Visits:
 
 
Thursday 
30 October 
at the 
Almeida 
Theatr
 
 
whatsonstage.com 
Director David Cromer's version delicately retunes Wilder's play for a 21st-century audience, amplifying its essential ordinariness. Everything about this town is calculatedly unremarkable.  Cromer's version is for the most part brilliantly unshowy, peeling away the gloss of nostalgia to get at the profound and poignant truths beneath.  A stunning detour from the established staging further compounds the painful beauty of everyday existence... heightening the exquisite, agonising joy of simply living. And as we glance wet-eyed across at one another, in full view under the Almeida's house lights, Cromer seems to be asking us to look better at the people right in front of us.
 
Saturday 
Mat  2.00pm 
8 November 
at the 
Royal 
Opera House 
Covent  
Garden 
 
 
No reviews available yet  
 
This is a 2.00pm matinee.  
Please note coach departure times - 
Palace Theatre: 11.00   
Chalkwell Schools: 11.05   
Elms: 11.10 Thames  Drive: 11.15   
Hadleigh: 11.20  Tarpots: 11.25  
Five Bells: 11.30
>OnOurOwn:
  
Updated 21/10/14/14 -   
What we see without the Group:  click HERE or on the ads below
 
>News and Information: Please scroll down the page    
Further casting announced for Assassins - The much admired Jamie Parker is joining the cast of Assassins to play the roles of The Balladeer and Lee Harvey Oswald. He recently played Sky Masterson in Guys & Dolls at Chichester. 
Also joining the cast is "hot Broadway star" Aaron Tveit, making his UK stage debut playing John Wilkes Booth. He appeared in Les Miserables The Movie, and is well known for his roles in Broadway musicals.
 
Ticket Price Watch update 06/10/14: With the prices you pay for theatre-going when you join our theatre visits, it's easy to forget what the real prices are these days. At one end of the scale are Premium tickets, supposedly the best seats in the house, and at the other end are the discounted seat prices which we are usually able to offer to you as a group. Oddly enough, both these prices can sometimes apply to the same seats! If Premium seats do not sell, they become part of the Top Price seats which are the ones normally offered to groups at a discount. Confusing, isn't it? And it's becoming more confusing too.
 
 
 
  For the last three years or so, I have been reporting here on the development of the West End Theatre's pricing structure, especially the rise in availability (if not popularity) of Premium seating. These Premium seats are now being marketed differently, making buying a theatre ticket more complicated. The trend is sure to spread, but here I can give you two examples of what it going on. 
  Earlier this year we took our Group to see Sunny Afternoon, the Kinks musical, at Hampstead Theatre. Everyone had a great time; the show proved very popular with audiences and critics alike; it is now opening in the West End. There were no Premium prices at Hampstead but now at the Harold Pinter Theatre,  Premium seats are being sold in different packages.... 
Continued: click HERE 
WONDERFUL TENNESSEE 
Although John Lahr's new biography Tennessee Williams: Mad Pilgrimage of the Flesh is a weighty, lengthy tome, Nicholas Hytner told an attentive audience at the Lyttelton Theatre that he had bombed his way through it in a weekend, and that it was one of the best books about the theatre he had ever read. Mr Lahr, author of biographies of Joe Orton and Barry Humphries, and senior drama critic of The New Yorker had spent 10 years researching and writing the book, and clearly had got to know his subject well, and was able to answer Hytner's questions with confidence.
NH: You start with the opening night of The Glass Menagerie. Why was that play such a thunderclap? 
JL: It opened two days before VE Day. Williams had already written to Horton Foote, saying that in war themes of loneliness would not reach an audience. But after the war, Americans, more affluent than ever, wanted to explore themselves. I phoned Arthur Miller to check this out, and he agreed. The play suited the time. 
NH: Williams put so much of himself into his plays. 
JL: He had an irrevocably divided nature. He worked out and acted out his internal life, in going for the geography of the interior. But he had no great gift for life or friendship; he only really cared about........ 
Continued: click HERE 
 
 
THAT CURIOUS INCIDENT AGAIN 
It's had a curious history. First a well loved book, then adapted for the small Cottesloe Theatre and performed in the round, later upscaled and transferred to the proscenium arched Apollo (where the ceiling collapse caused its closure) and finally restored phoenix like in a hi-tech production at the Gielgud. Mark Haddon's The Curious Incident of the Dog in the Night-Time is a long runner, like its four legged friend, the National's War Horse (also directed by Marianne Elliot).
  We were invited to hear author Mark Haddon and adapter Simon Stephens interview each other before a performance of the play. It was a jovial and most informative chat, recorded perhaps for the National Theatre website, but before you get a chance to eavesdrop on the conversation and the Q&A with the audience which followed, here is a brief run-down of some of the points covered. 
  I'll begin with the play's ending – Mark was asked whether he thought the play ended on a good note for the play's young lead and what he thought Christopher's future would be like. There was a long pause......”Difficult”. The play leaves audiences with much to think about, including never-mentioned autism – attaching labels says more about the labeller, said Mark. 
  Mark revealed that Christopher has some aspects of his own character but also facets of many others. He thought Stephen would write a good adaptation of his book as he “has a heart of stone” and wouldn't treat the book as “sentimental”. He was delighted that a stage adaptation would give him the opportunity to see the story afresh. His familiarity with the book meant that his appreciation of what was funny or sad was not as easy to identify. 
  Stephen loved the book because “things happen”..... 
Continued: click HERE 
 
 
Click on the Cat to read Libby's reviews
  
 
 
 
 
THEATRE NEWS HEADLINES 
Theatre News Headlines are brought to you by whatsonstage.com, the leading UK theatre website, and are automatically updated throughout the day. You will find articles, reviews, interviews - just click on each headline for the full story. 
Alternatively, you can go direct to the WhatsOnStage new website by clicking HERE.
 
 
 
 
Click on the ear (left) to read about Hearing Devices now available in many theatres. They may be of help to YOU.
 
 
Updated 
06/10/14
  
Ticket Price Watch: For updates on higher prices and what the producers want you to pay. We also give you occasional news on any Discount offers -  
Click HERE
  
Ask us about Theatre Tokens: 
They make ideal gifts for theatre-going friends. They are available in denominations of £20, £10 and £5 and can be used to buy theatre tickets at all West End theatres and the half-price tkts booth in Leicester Square. You can buy them from us and we accept them too. 
 
 
NORMAL COACH DEPARTURE TIMES FROM WESTCLIFF 
Palace Theatre: 4.40  Chalkwell Schools: 4.45  Elms: 4.50 
Thames  Drive: 4.55   Hadleigh: 5.00  Tarpots: 5.15   Five Bells: 5.20 
 
All shows are evening performances unless matinee times are given (see below) - 
 
08/11/14 Ballet Triple Bill - this is a 2.00pm matinee.  
Please note coach departure times - 
Palace Theatre: 11.00  Chalkwell Schools: 11.05 Elms: 11.10 
Thames  Drive: 11.15   Hadleigh: 11.20  Tarpots: 11.25   Five Bells: 11.30 
 
04/01/15 Edward Scissorhands - this is a 2.00pm matinee.  
Please note coach departure times - 
Palace Theatre: 11.30  Chalkwell Schools: 11.35  Elms: 11.40 
Thames  Drive: 11.45   Hadleigh: 11.50  Tarpots: 11.55   Five Bells: 12.00 
 
08/02/15 Assassins - This is a 3.30pm matinee 
Please note coach departure times -: 
Palace Theatre: 1.00pm; Chalkwell Schools 1:05; Elms 1;10;  
Thames Drive 1;15; Hadleigh Church 1:20; Tarpots 1: 25; Five Bells 1.30. 
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Buy theatre tickets in advance and the curtain rises on countless pleasures, but wait for other options and the curtain falls on opportunity.  
Old West End Proverb  
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